The husband-and-wife cabaret and songwriting team of David Alpher
(pianist/composer) and Jennie Litt (singer/lyricist) started performing
together on their very first date, which they spent singing and playing
great songs by Gershwin, Berlin, Rodgers, and Porter in a cabin in the New
Hampshire woods. Since then, they have appeared in numerous venues in the
Jennie and David in concert
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northeast and beyond, including the 2005, 2006, and 2007 seasons of The
Chamber Arts Festival of Marbletown
(with
Jay Ungar & Molly Mason; Poets of Tin Pan Alley author Philip
Furia; and Celtic powerhouse trio Ferintosh, respectively), the Rockport
Chamber Music Festival, Bard College, Harvard University, The Albany
Institute of History & Art, The People's Voice Café (NYC), The MacDowell
Colony, and The Millay Colony. They headlined the 2007 Dissident Folk &
Arts Festival's "Tribute to Bertolt Brecht," at the Howland Cultural
Center, and have been featured at the Music at Marist concert series, the
West End Theatre, and St. Giles Church (Oxford, UK), as well as on
WAMC/Northeast Public Radio's popular "Dancing on the Air."
Recently hailed as "among the premier cabaret acts," and a "perfect
musical ensemble," Litt and Alpher have delighted audiences with cabaret
shows that offer in-depth explorations of the Great American Songbook. The Elegant & The Immigrant: Cole
Porter & Irving Berlin Together presents works by two songwriting
greats in matched pairs; the duo delves even deeper into obscure
Berliniana with Another Serving of
Irving Berlin (with folksinging cantor Robert Cohen). Rodgers with Hart &
Hammerstein, another matched-pairs concept, celebrates the
multifarious work of Richard Rodgers who, with his two greatest
collaborators, defined the sound of American musical theatre for four
decades. Sixties Cabaret
traces the history of the 1960s as it was reflected in song, as well as
the tumultuous change in popular music itself - from Tin Pan Alley to
Abbey Road. People's
Cabaret, a witty and loving musical history lesson, surveys a
century's worth of songs of the political left, and Something Borrowed, Something
Due may be the only library-themed cabaret show on the books.
Alpher and Litt are also songwriters: their revue Smart-Alecky Songs for Serious
Times offers an hour of songs in the great comic tradition of Tom
Lehrer, Allan Sherman, and Flanders & Swann, with lyrics by Litt and music
by Alpher. Jennie and David can be heard on the CD Americana, a live concert with Jay Ungar and Molly
Mason, recorded during the Chamber Arts Festival of Marbletown's 2005
debut season. Jennie and David's daughter, Mirabelle Jasmine Alpher, was
born June 25, 2008.
Internationally acclaimed composer, pianist, and recording artist David Alpher has enjoyed an active musical
career for almost four decades. He co-founded, and for its first 10 years
co-directed, the Rockport Chamber Music Festival (RCMF) in Massachusetts,
now well into its third decade. At Rockport's 20th-anniversary
celebration, David received a special citation for "enriching the cultural
life of New England." In 2005, he founded The Chamber Arts Festival of
Marbletown, where he serves as Artistic Director.
David has had a highly successful career as a pianist, collaborating with
such distinguished artists as Marilyn Horne, Dawn Upshaw, Harolyn
Blackwell, and Christopheren Nomura. An extended collaboration with
Thomas Hampson, Jay Ungar, and Molly Mason produced the perennially
popular 1992 CD, American Dreamer: Songs of Stephen Foster
(Angel), as well as a series of concerts and broadcasts at venues such as
Lincoln Center, Tanglewood, and Town Hall.
David's classical compositions have had multiple performances worldwide -
notably his multimedia work Las Meninas: Variations, inspired by
Velázquez and Picasso paintings, and The Walrus and the
Carpenter, a jazz-influenced setting of the Lewis Carroll poem. His
"listener-friendly" music has been compared to Bernstein's for its melody
and "jazzy bite." Land of the Farther Suns, an idiosyncratic
journey for narrator, four flutes and piano through ten Stephen Crane
poems, has been recorded by Garrison Keillor and Flute Force on the Innova
CD Eyewitness, with David at the piano. He appears as pianist
and composer on Never Broken (Center Stage) with baritone
Christopheren Nomura and the Gainsborough Trio, and on Classic
Lullabyes with soprano (and RCMF co-founder) Lila Deis (Alexxandra).
American Reflections: David Alpher Chamber Music (Ongaku Records)
contains five other Alpher works. His compositions are published by
Brixton Publications, New Boston Editions, Kripplebush Publishing Company,
Michigan State University Press, and Friedrich Hofmeister Musikverlag.
A graduate with of Indiana University School of Music and New York
University, David maintains a professional association with Vassar
College.
Jennie Litt
has been singing since junior high school, but she came to lyric-writing
through the proverbial back door. A graduate of Harvard College and the
well-known Iowa Writers Workshop, Jennie had been publishing short fiction
while laboring for over a decade to complete a novel. Her favorite way to
blow off steam was singing at NYC piano bars. Then she met
composer-pianist David Alpher at the MacDowell Colony. Their first date
was spent playing and singing highlights from the great American songbook
in David's studio deep in the woods. In short order, Jennie and David got
married, took their cabaret act on the road, and started writing songs
together. The fact that she could finish a lyric in well under a decade
convinced Jennie that songwriting beat fiction writing all to hell.
Jennie's award-winning fiction has appeared in The Sun;
Indiana Review;
Columbia: A Journal of Literature and Art;
The Blue Moon Review;
the MAG;
Prima Materia; Speak; and Fireweed.
Her works for theater have been produced by Circle Repertory Company (New
York City) and the American Repertory Theater (Cambridge, Mass.)
An ASCAP member since 2006, Jennie studies voice with Joyce Hall. "Jennie
Litt's lovely voice is perfectly suited to her repertoire," say the
critics, ". . . and her diction and phrasing are superb. She can
really sell a song, like Barbara Cook can sell a song."
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